We had maybe 20,000 or 30,000 people on the Facebook page. We saw a big hit in terms of views, like 700,000 views. I think this is the moment where Cercle was really created, the whole idea of doing shows in cultural heritage places with great sceneries. He was releasing his album Panorama at the time. It’s quite complicated in a small flat in Paris to do these kind of shows, so he decided to go outside of the flat in the basement a restaurant, then he did a show on a boat for Music Day in France.Īfter that, Derek decided to do a massive show, and that was the first show we did at the Eiffel Tower in October 2016 with Mome. Then he had some neighbor issues with the sound and everything. Facebook started its API for Facebook live, and he decided to go on Facebook. At the beginning, Derek Barbolla was doing some radio shows on YouTube in his apartment, doing an interview, and a DJ playing for an hour. It just came from reflection and experiences. Souchier: To be fair, I think the idea wasn’t there at the beginning. We caught up with Pol Souchier, Cercle’s Head of Communication who’s been with the group since it’s early days, to hear more about how the team pulls of these great escapes week after week.īillboard Dance: How did Cercle get started? It’s a night nearly two years in the making, a production schedule that’s par for the Cercle course. Tonight, Cercle makes its debut in Brussels with an open-to-the-public event pitting Belgian-born Amelie Lens alongside the city’s iconic 335-foot-tall atom-shaped monument called the Atomium. Amelie Lens to Play Brussels' Iconic Atomium Monument for Next Installment of Cercle Event Series
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